Les Do Books
Ann McMan’s Favourite Lesbian Books
In this episode, Ann McMan tells Tara all about her three favourite lesbian books. Authors are readers too, so Tara was excited to hear about these books and why Ann loves them. And if you can believe it, Tara even managed not to fangirl too much.
Check out the books discussed here:
Learn more about Ann McMan
Come talk to us about these books and any other lesfic you’ve been reading lately at our Facebook group, The Lesbian Review Book Club.
You can see all of our reviews, top 10 lists and author profiles on TheLesbianReview.com and don’t forget to send your emails, questions and more to Tara@TheLesbianReview.com
Caroline is a giver—as an ER nurse, as devoted lover to her partner, Diane, as a divorced mother of two boys, and as the daughter of world-class do-gooders—but can she accept help from others and still be herself?
When trauma cases in the ER leave Caroline emotionally paralyzed and her relationship with her partner, Diane, breaks down, she knows its time to take a look at her life and do something she’d never imagined: go to therapy. Her therapist, Hannah, knows a thing or two about sacrifice and pain. A former war bride, Hannah may live a seemingly cozy domestic life with her beloved husband and two grown children, but she can’t forget her own harrowing past. As she and Caroline work together, each comes to understand and admire the resilient woman sitting before her.
A poignant look at the human need for acceptance, Other Women is a thoughtful novel about how a life examined is worth living.
Nicola Griffith, winner of the Tiptree Award and the Lambda Award for her widely acclaimed first novel Ammonite, now turns her attention closer to the present in Slow River, the dark and intensely involving story of a young woman's struggle for survival and independence on the gritty underside of a near-future Europe.
She wakes in an alley to the splash of rain. She is naked, a foot-long gash in her back was still bleeding, and her identity implant is gone. Lore Van de Oest was the daughter of one of the world's most powerful families...and now she is nobody.
Then out of the rain walks Spanner, an expert data pirate who takes her in, cares for her wounds, and gives her the freedom to reinvent herself again and again. No one can find Lore if she doesn't want to be found: not the police, not her family, and not the kidnappers who left her in that alley to die. She has escaped...but she pays for her newfound freedom.
Lore has a choice: She can stay in the shadows, stay with Spanner...and risk losing herself forever. Or she can leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and inventing her future.
But to start again, Lore requires Spanner's talents--Spanner, who needs her and hates her, and who always has a price. And even as Lore agrees to play Spanner's games one final time, she finds that there is still the price of being a Van de Oest to be paid. Only by confronting her past, her family, and her own demons can Lore meld together who she once was, who she had become, and the person she wants to be...
In Slow River, Nicola Griffith skillfully takes us deep into the mind and heart of her complex protagonist, where the past must be reconciled with the present if the future is ever to offer solid ground. Slow River poses a question we all hope never to need to answer: Who are you when you have nothing left?
Jackal Segura is a Hope: born to responsibility and privilege as a symbol of a fledgling world government. Soon she'll become part of the global administration, sponsored by the huge corporation that houses, feeds, employs, and protects her and everyone she loves. Then, just as she discovers that everything she knows is a lie, she becomes a pariah, a murderer: a person with no community and no future. Grief-stricken and alone, she is put into an experimental program designed to inflict the experience of years of solitary confinement in a few short months: virtual confinement in a sealed cell within her own mind. Afterward, branded and despised, she returns to a world she no longer knows. Struggling to make her way, she has a chance to rediscover her life, her love, and her soul—in a strange place of shattered hopes and new beginnings called Solitaire.
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away, as they are said to do. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.
The day that Ash meets Kaisa, the King's Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Though their friendship is as delicate as a new bloom, it reawakens Ash's capacity for love-and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.
Entrancing, empowering, and romantic, Ash is about the connection between life and love, and solitude and death, where transformation can come from even the deepest grief.